https://www.scottmasson.com/contact daily 0.75 2021-02-06 https://www.scottmasson.com/about daily 1.0 2025-12-10 https://www.scottmasson.com/client-work daily 0.75 2025-04-10 https://images.squarespace-cdn.com/content/v1/5e9a89bd21310629e0d55466/00dbd09e-4779-47d5-a702-722c301c0626/Screen+Shot+2025-03-13+at+8.30.14+PM.png client work Click on image (above) to watch this short film, and hear Masson’s musical score. https://images.squarespace-cdn.com/content/v1/5e9a89bd21310629e0d55466/44cbe6ff-d7d2-45fa-a6ee-153b46d3bcfb/Screen+Shot+2025-03-13+at+8.41.57+PM.png client work - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e9a89bd21310629e0d55466/8876bb59-6815-4c12-931c-7cd1d97e7456/Screen+Shot+2021-10-21+at+5.54.02+PM.png client work Screenshot from original Chevy TV spot aired in 2014. Created by Commonwealth / McCann ad agency. I do not hold rights to post original video. Available upon request, however. https://images.squarespace-cdn.com/content/v1/5e9a89bd21310629e0d55466/bbefc74a-5083-4d40-a7fc-5109feacd565/Screen+Shot+2021-10-21+at+5.57.32+PM.png client work Screenshot from McDonald’s animation project, created with ad agency Huge Inc in 2020. I do not hold the rights for this video. Available upon request. https://images.squarespace-cdn.com/content/v1/5e9a89bd21310629e0d55466/39811701-66c2-4c70-83d9-45dc70d17e88/u-by-kotex-pads-3.jpg client work https://images.squarespace-cdn.com/content/v1/5e9a89bd21310629e0d55466/7b132227-10d1-4b9a-a754-b3068e9ebbac/Screen+Shot+2021-10-21+at+9.06.23+PM.png client work Original Metro Times article promoting the “Slurp Song”, and Johnny Noodle King’s grand opening. https://images.squarespace-cdn.com/content/v1/5e9a89bd21310629e0d55466/5931e02d-a77e-4850-a2e4-dad47754f47e/Screen+Shot+2021-10-21+at+9.14.13+PM.png client work - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e9a89bd21310629e0d55466/4c4d2e5f-52ea-449b-920b-3dbf474fb0e5/PlymouthPlumbingLogo_large.jpg client work https://images.squarespace-cdn.com/content/v1/5e9a89bd21310629e0d55466/1605052593659-P50Y77ZZW8X8YLHDUGPN/PortfolioSquares1.jpg client work https://images.squarespace-cdn.com/content/v1/5e9a89bd21310629e0d55466/dcf3a81f-271d-46b1-8d1e-97b8d83e2de5/Screen+Shot+2021-10-21+at+7.15.17+PM.png client work https://images.squarespace-cdn.com/content/v1/5e9a89bd21310629e0d55466/1605052593779-IZ0TWDVX396ZM5VL2ZIJ/PortfolioSquares2.jpg client work https://images.squarespace-cdn.com/content/v1/5e9a89bd21310629e0d55466/9eb52975-af23-4b9e-b8e6-dce55e09cc9a/Screen+Shot+2021-10-21+at+7.20.03+PM.png client work https://images.squarespace-cdn.com/content/v1/5e9a89bd21310629e0d55466/1605052588157-A41TTK1FWEMFNJYVT4AR/PortfolioSquares3.jpg client work https://images.squarespace-cdn.com/content/v1/5e9a89bd21310629e0d55466/eb156903-7d8e-4c48-a0a6-f26eef5126a9/Screen+Shot+2021-10-21+at+7.20.31+PM.png client work https://images.squarespace-cdn.com/content/v1/5e9a89bd21310629e0d55466/1605052590385-LTC84U5Y6U86OSRPYB0J/PortfolioSquares4.jpg client work https://images.squarespace-cdn.com/content/v1/5e9a89bd21310629e0d55466/4e43b517-5580-4a71-b454-3e3c798864da/Screen+Shot+2021-10-21+at+7.20.50+PM.png client work https://images.squarespace-cdn.com/content/v1/5e9a89bd21310629e0d55466/1605052588884-OIWZS6NI20U5N6B3HME9/PortfolioSquares5.jpg client work https://images.squarespace-cdn.com/content/v1/5e9a89bd21310629e0d55466/73a13398-95e5-4fc3-9c40-4642f78d2d8f/Screen+Shot+2021-10-21+at+7.21.09+PM.png client work https://images.squarespace-cdn.com/content/v1/5e9a89bd21310629e0d55466/1605052593764-A1P5VCZIKE6SKR2HZVKE/PortfolioSquares6.jpg client work https://images.squarespace-cdn.com/content/v1/5e9a89bd21310629e0d55466/1605052598457-O9XPYBKAGQSS79CDYLN4/PortfolioSquares7.jpg client work https://www.scottmasson.com/news daily 0.75 2025-11-24 https://images.squarespace-cdn.com/content/v1/5e9a89bd21310629e0d55466/96be36ce-e5e8-499f-b1a5-03d1d9e86756/MultiMediaRoom_flat_bandcamp.jpg news - November 24, 2025. I passed my MTTC test in english this week, so I am now officially certified to teach art and english. Also…I just released an album called “Alignment Pieces”. Available on Bandcamp and all streaming platforms throughout the week of November 24th, 2025. solo music / alignment pieces / teaching https://images.squarespace-cdn.com/content/v1/5e9a89bd21310629e0d55466/62d0c9ea-cccf-4bdd-aac7-0109f48446fb/a3480256634_10.jpg news - April 30, 2025. New EP out today on Bandcamp and all streaming platforms. It’s called “We’re Not the Same (Out in the Garden). We're Not the Same - orchestrated version and live acoustic version. Out in the Garden (Untitled Poetry) - In late 2023 / early 2024, I scored the musical soundtrack to a short 3-minute documentary by Katie Barkel. The film features local Detroit poet, James Fuson. This was the piece that was used in the film. Kresge Arts in Detroit partnered with the Detroit Free Press for the world premiere of the annual “Spotlight Detroit” film series featuring the latest cohort of fellows. Thirteen Detroit filmmakers collaborated with the 2023 Kresge Artist Fellows in Literary and Visual Arts to create 19 dynamic short films exploring the artists’ creative practices, expressions, and journeys as artists and humans. Garden Collage (Untitled Poetry II) - Sound collage created for the Kresge film mentioned above, but not used in the final cut. solo music / alignment pieces / teaching / vinyl records https://images.squarespace-cdn.com/content/v1/5e9a89bd21310629e0d55466/4e7a9b8c-bb8b-45c8-87dd-1a1857b80274/LivingRoomDrawing.jpg news - March 30th, 2025. During the pandemic, I composed between 75 and 100 pieces of music. Some remain as simple voice memos on my phone, while the majority are full studio productions in various stages of completion. Now that I’ve completed my teacher training, I’m starting to finalize all this work, preparing it for regular releases on vinyl, CD, and streaming. This week, I’m finalizing the mixes for “Alignment Pieces, Vol. 1”, which will include a booklet featuring drawings and writings for each composition. The record will be available soon as a limited-edition vinyl pressing (100 copies), and I’ll share details once they’re ready. This collection of eight instrumental pieces was created over the past two months as a personal attempt to find peace and alignment in an increasingly chaotic world. (“Volumes 2 and 3” are already composed and mostly finished, and will find release in the coming months as well.) My current work exists outside traditional genres, focusing on avant-garde structures, soundtrack / film and game scoring, classical and electroacoustic techniques, collage, ambient, field recording, sound sculpture, and more conceptual and exploratory approaches towards musical composition. While the first half of my life was spent writing rock, pop, and folk songs, I’m dedicating the second half to pushing myself into more interesting and creative realms. . I’m also working on a double album and will be uploading a reissue album in the coming weeks. More updates soon. Thank you so much for listening and for your support. Below: Alignment Drawing # 4: Living Room. March, 2025. solo music / alignment pieces / teaching / vinyl records https://images.squarespace-cdn.com/content/v1/5e9a89bd21310629e0d55466/ce085462-c0d4-4428-9924-4fa81362d9c6/cbvb_burlington_02142025+FINAL.1.png news - Feb., 2025. Hello, everybody. I’m performing songs alone at this wonderful show in Chicago (Feb 14th, 2025 - Burlington Bar. Chicago, IL). I’ll be playing some OFFICE songs and some songs that are more recent, and maybe a cover. I’m playing 3rd, before the last ensemble. The bands that are playing are fantastic! Long time friends, and total geniuses. It should be a beautiful night full of love and laughter. Bring your hot date over to the show after dinner and celebrate Valentine’s Day with some artists. I just got my teaching certificate as well, so I am currently looking for my first real teaching job. I’m so excited, and grateful that I passed all my training with a 4.0, as well as getting through the very difficult MTTC test reasonably unscathed. I’m still working on a million pieces of music simultaneously, so I should have some new pieces up this winter. I’ll be putting out physical copies of it (vinyl, CD, etc). I’m also putting out a little booklet / zine with some drawings and writings to accompany this first batch of very experimental stuff I call “Alignment Pieces”. More information on that soon. Love, Scott solo music / OFFICE / music catalog / mixing / creating / ambient / experimental music https://images.squarespace-cdn.com/content/v1/5e9a89bd21310629e0d55466/be42aea4-c65f-45bf-92d4-a6692702d0fc/a1456598913_10.jpg news - Wednesday, May 15, 2024 Lots of news coming up, some of which I'm not allowed to talk about yet. First off…I’m deep in school right now, working on my teaching certificate. Feels great to be back in the academic world, and filling my brain with information on a rigorous schedule. Two more OFFICE reissues are up online. “A Bachelor of Fine Arts” includes a bunch of demos, unreleased songs, and experiments created between 2001 and 2002. “The Iced Tea Boys and the Lemonade Girls” is an album I made right after I graduated from college in 2001. It was finished after I moved to Chicago. I also released a two-piece long-form experimental/ambient EP called “Among Us”, which is also available on Bandcamp and streaming platforms. Up next are the remaining reissues of my solo and OFFICE catalog. I’m also wrapping up an album of experimental music, ambient, noise, etc. I have been working on a new more conventional type of “song cycle album”, but that won’t be out until 2025. I’m trying to get this experimental body of work done first because it’s sort of where my head is at right now. Hopefully, I can put the record out this summer. I will be doing physical releases on CDs, cassettes, or vinyl of mostly everything I release from now on. I’ll also try and start the process of getting my older music onto limited-edition physical formats as well, for those who are interested. If you’re a small boutique label, and want to help out with that….let me know. lol. Love, Scott solo music / OFFICE / music catalog / mixing / creating / ambient / experimental music https://images.squarespace-cdn.com/content/v1/5e9a89bd21310629e0d55466/01d562a3-ea04-48e9-aafc-b3dbd5a56f2b/Casio.jpg news - Tuesday, Jan 23. 2024 A lot has taken place since my last update. Long story, but I have almost completed my cataloging project. It will definitely be done before the summer. I had to fix a few records that I had distorted between 2022-2023 when I was dealing with some health issues from Covid, etc. I got them all fixed up, so everything that is currently up on Scott Masson and OFFICE’s streaming and Bandcamp is finally sounding the way I want them to sound. Everything can be found on any streaming platform under “Scott Masson” or “OFFICE”. It’s hard to believe I’m almost finished with this gigantic project. I have uploaded pretty much all of my 90s music at this point, and the majority of OFFICE recordings I have. In order to prove that I haven’t been completely “stuck in the past” with this project, I also recently released an experimental Halloween EP that you can hear here. Right now, I am finalizing mixes and remasters on all the “Iced Tea Boys and Lemonade Girls”material and recordings I did in the early 2000s, so those will be up in February. March and April will be dedicated to reissuing the “Phantom Films” recordings, and other recordings created between 2009-2011. That’s probably the most unique music I’ve ever made, so I’m excited to get it up for the first time since it all got “lost” over a decade ago. I’m not done yet! :) Outside my day job as a substitute teacher, I am gearing up for grad school in May. Holy fudge! Additionally….I am also deep at work on new art (in the “art” section of this website), and a ton of new music. In Feb or March, I will be uploading a new album of experimental / ambient music. I wanted to get some new vibes out there while I finish a new album of actual “song-oriented” type of music. (I’m hoping to finish that this summer.) That will definitely be released on limited vinyl, cassette, and CD. Lastly….I just finished scoring a short film by Katie Barkel, and that will be coming out on PBS and the internet in Feb. (More information then.) Thank you so much for your interest. I see a finish line in the near-future for many different things, so I’m very excited and having a total blast with it. Peace and love to you in the new year. Scott solo music / OFFICE / music catalog / mixing / saturation / analog / studio gear / tape / Casio / artwork https://images.squarespace-cdn.com/content/v1/5e9a89bd21310629e0d55466/6734956c-8ab1-43a2-ab56-782c5a692297/Q%26A_artwork_2023.jpg news - Tuesday, May 2nd. 2023 I just uploaded OFFICE’s “Q&A” album onto streaming platforms and Bandcamp. Should be live this week. Due to some home-improvement projects I’m in the middle of, all the bonus material will be unfolding separately over the next several weeks. The first volume of extra “Q&A” material should be up in a couple weeks from today. The second volume should be up in June. Up next is another album from the 90s, all the Pink Oil material that I didn’t do a very good job putting together in 2021, and Phantom Films + all its bonus material. Once I get to the end of the fall, I should be pretty close to being done with this reissue project. I’ll only have a few remaining odds and ends from my life: my 90s band Fieldtree, remastering OFFICE’s first LP, compiling OFFICE’s “Iced Tea Boys and the Lemonade Girls”, and some random stuff from the 90s. I’m looking forward to being done with this, so I can just focus on finishing up my new album and not working 16 hour days. lol Scott solo music / OFFICE / music catalog / mixing / saturation / analog / studio gear / tape https://images.squarespace-cdn.com/content/v1/5e9a89bd21310629e0d55466/04388c9b-fa70-46e7-9245-461fefeb2f7b/Atlantic_bandcamp.jpg news - Friday, Feb 24. 2023 One of the two albums I made in 1996-97 is up on Bandcamp and streaming services now. It’s called “Atlantic”. The other album from that same period will turn up on streaming at some point this spring. For now, my entire priority is getting the massive “Q&A” collection up from OFFICE. Also…the new album I created with two of my friends called “Purgat ó rio” is up on Bandcamp and streaming services as well. Scott solo music / OFFICE / music catalog / mixing / saturation / analog / studio gear https://images.squarespace-cdn.com/content/v1/5e9a89bd21310629e0d55466/c85eb818-ed13-4536-b326-6861e27454be/OutInTheCornfield_artwork_bandcamp.jpg news - Thursday, Dec 22. 2022 An album I made in 1998 called "Out in the Cornfield” is live on bandcamp and streaming platforms. It was recorded on Tascam 4-track. It’s never been released until now. Stay tuned for an album I made in 1997 coming out in a few weeks after the holidays. You can click on the drawing, and it’ll take you to Bandcamp. Scott solo music / OFFICE / music catalog / mixing / saturation / analog / studio gear https://images.squarespace-cdn.com/content/v1/5e9a89bd21310629e0d55466/644737d1-6a28-441a-a849-df840b529b1b/NewCrossSunrise_artwork_bandcamp.jpg news - Wednesday. Nov, 24. 2022 Musical update: Over the last few months while waiting for my new gear to arrive, I finished digitizing all of my Tascam 4-track cassette recordings I made during the 90s. I will be releasing these over the next couple months. These records were never released before. I used to think this music was never meant to be heard because I was still learning how to record, write songs, and experiment. I realized about a year ago that this music means a lot to me, and is an important part of my musical journey (for better or worse). Some of this stuff is very charming, some of it is extremely questionable, and some of it was absolutely ahead of its time. Today I release “New Cross Sunrise”, which consists of experimental cassette 4-track music written and recorded around 1999. In a couple weeks, I’ll be uploading another record I made in 1998. A few weeks after that, another one made in 1997….and so on. Shouldn’t take me too long to get all of this material up. After that, I will be putting the finishing touches on “Phantom Films” and “Q&A (Extended)” once and for all. I also finished making a new full-length album with my rapper friends, Kelly and Kip. It’s totally nuts, and should be coming out in early 2023. Still working on new Masson music as well, but getting my entire catalog of music up online this year is still my priority while I compose new stuff. New Cross Sunrise available on Bandcamp and all streaming platforms week of Thanksgiving, 2022. Click on image to hear via Bandcamp. Scott solo music / OFFICE / music catalog / mixing / saturation / analog / studio gear https://images.squarespace-cdn.com/content/v1/5e9a89bd21310629e0d55466/a3278667-c167-4dc1-9a11-aa6d8b0fb334/IMG_4081.JPG news - Wednesday. Nov, 23. 2022 After being delayed on mixing progress for a half-year, I finally got my Overstayer MAS outboard unit in the mail. Supply chain issues had this unit backed way up, so I waited and waited. I cancelled my order due to some financial issues, but ended up getting all caught up with my new day job. And luckily….I found one of these units in perfect shape on Reverb, so I pulled the trigger. It was a great decision, because now I’m back in business. Not to mention, this is the greatest piece of gear I’ve ever purchased. It does EXACTLY what the computer cannot achieve: make things sound “cool”. The Overstayer MAS is basically an analog device that allows me to run individual instrument stems and stereo mixes through to saturate and process the sound to my tastes, depending on what the source material requires. In other words: it takes them out of the digital realm, and makes things sound like the records I actually grew up listening to. It’s like running your mix through an old mixing console! I got tired of hiring other people to do this type of post-production work for me, so I had to spend a great deal of money to get my setup into this awesome realm that allows me to do this type of sonic-sweetening myself. The unit rules! Scott solo music / OFFICE / music catalog / mixing / saturation / analog / studio gear https://images.squarespace-cdn.com/content/v1/5e9a89bd21310629e0d55466/ff215d3a-16e8-493b-afe1-4a09c08193fd/Screen+Shot+2022-02-23+at+3.43.12+PM.png news - Wednesday. Feb, 23. 2022 Stoked to now be a part of Academy Fight Songs diverse roster of super cool artists. AFS, along with Bank Robber Music and Rough Trade Publishing, is a music house that engages authentic, independent artists to compose / produce custom music for visual media and branded content. So stoked, and very grateful for this unique opportunity. Super excited and humbled to be amongst artists like A Place To Bury Strangers, Black Lips, Built to Spill, Fugazi, Death, Califone, Juliana Hatfield, Fred Thomas, Jamaican Queens, The Magnetic Fields, Joanna Newsome, Panda Bear, Tortoise, etc. So many awesome bands and composers. It’s nice to know that my new music, and catalog of older recordings that I’m currently re-issuing right now, will be in good hands with professionals. Not to mention, I’m incredibly excited about the possibility of composing custom pieces of music for commercials, shows, movies, or whatever the client/project needs. #academyfightsongs #roughtradepublishing #bankrobbermusic #songwriter #composer #songwriting #production #officetheband Scott solo music / Academy Fight Songs / Bank Robber Music / Rough Trade Publishing / OFFICE https://images.squarespace-cdn.com/content/v1/5e9a89bd21310629e0d55466/1611596484649-RBCE0OLAPRTVXCVOVI12/InfluencerOnTheBeach.jpg news - jan. 25, 2021 I just did this fun little track called “Ghost Mall” for an electronic music compilation with some friends from Detroit. You can download it here, but I also uploaded it to my streaming accounts as well: Spotify, Apple Music, etc. The five artists who participated in it had very specific rules on which sounds we were allowed to use (Boss DR-55 drum machine, and Arp Odyssey). It was sort of a tribute to 80s and 90s electronic stuff. I hit mine to cassette tape after it was done to give it that cozy hiss that brings us back to the 1980s….back when we used to comb the racks in Tape World and Music Land at 12 Oaks Mall, lookin’ for that sweet new single or album when we were kids. Scott ghost mall / compilation / Detroit electronic music / tape https://www.scottmasson.com/press daily 0.75 2025-04-10 https://images.squarespace-cdn.com/content/v1/5e9a89bd21310629e0d55466/1610424304706-JYFKLS214TER5EI15JTO/Screen+Shot+2021-01-11+at+11.04.43+PM.png press - jeff milo writes about “momentarily bewitched”… “It all makes me want to cry…. And that’s when I feel the impulse to guilt myself for reaching at scoffable cliches like it makes me want to cry… Who says that about music? But then I let that consternation go…. Because there’s something about this album that brings me closer to a relief of sorts; closer to an acceptance of the capricious contortions my mood and my self-regard can go through in any given day.” https://images.squarespace-cdn.com/content/v1/5e9a89bd21310629e0d55466/1610426967409-R96UEJ3IN1HECVRJNWMR/Scan31.jpeg press Press clippings of OFFICE during the 2000s. https://images.squarespace-cdn.com/content/v1/5e9a89bd21310629e0d55466/1610427021192-QJBMOREXDA5YLDJ7DINK/Scan45.jpeg press https://images.squarespace-cdn.com/content/v1/5e9a89bd21310629e0d55466/1610426590141-G7AN3QKVBTQE0RWFH0TK/Scan+2.jpeg press https://images.squarespace-cdn.com/content/v1/5e9a89bd21310629e0d55466/1610426581440-4DSA6JFC8HW5T6RNT8LH/Scan3.jpeg press https://images.squarespace-cdn.com/content/v1/5e9a89bd21310629e0d55466/1610426596507-K5UZYQ0VRSVEYLBWDQ7M/Scan4.jpeg press https://images.squarespace-cdn.com/content/v1/5e9a89bd21310629e0d55466/1610426602637-PK3O1KKTG4ZUW7SJCG7M/Scan5.jpeg press 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drawings https://images.squarespace-cdn.com/content/v1/5e9a89bd21310629e0d55466/c2845910-0c6e-49f6-a69c-541f6ee1ce5a/IMG_2071.jpg art - drawings https://images.squarespace-cdn.com/content/v1/5e9a89bd21310629e0d55466/f387e3ab-3f6b-4122-b473-d17cdafccb58/E13B4543-CA3F-4A94-AB23-6B69C74A5B2C.jpg art - drawings https://images.squarespace-cdn.com/content/v1/5e9a89bd21310629e0d55466/bbec7542-cc84-4de0-b1f0-420b5d0cc475/IMG_2073.jpg art - drawings https://images.squarespace-cdn.com/content/v1/5e9a89bd21310629e0d55466/55f3d863-9425-4156-8cf8-7df2e2d0d077/EC0989FB-8D6A-4E89-B3C7-0E7485E09B39.jpg art - drawings https://images.squarespace-cdn.com/content/v1/5e9a89bd21310629e0d55466/8b3817f5-96a0-43e0-acd4-1f21301fbc7c/IMG_2075.jpg art - drawings https://images.squarespace-cdn.com/content/v1/5e9a89bd21310629e0d55466/83f4a204-c718-4460-92f6-5d0deac1e262/IMG_2076.jpg art - drawings https://images.squarespace-cdn.com/content/v1/5e9a89bd21310629e0d55466/94fe7ca4-7f08-4368-8e11-994edd06af5d/IMG_2080.jpg art - drawings https://images.squarespace-cdn.com/content/v1/5e9a89bd21310629e0d55466/150dfa37-9d7e-4d07-8159-474825e25768/IMG_6308.jpeg art - drawings https://www.scottmasson.com/music daily 0.75 2025-11-24 https://www.scottmasson.com/music/covers monthly 0.5 2023-11-08 https://www.scottmasson.com/music/collaborations monthly 0.5 2021-01-13 https://images.squarespace-cdn.com/content/v1/5e9a89bd21310629e0d55466/1cdd198f-5195-47f0-b6e3-292c4385a1c9/a3877578319_10.jpg music - collaborations - poltergeist & kardinal sinn - purgat ó rio The third installment in a collaborative trilogy with Kelly (aka. Poltergyst, Poltergeist, Geist, K€££¥, Kelly Mac, Kelly Ryan, etc). “Purgat ó rio” is our most epic album to date. This time, Kardinal Sinn was a main collaborator throughout the whole piece, and is featured on most of the tracks. Up-and-coming rapper, Leonardo, even makes a guest appearance on two of the tracks. All music engineered, mixed, and produced by me (aka. River of Blood), and all lyrics, vocals, creative direction, and found sound advice by Poltergeist and Kardinal Sinn. Hit to 1/4” tape and sonically-sweetened through old-school analog gear by The Lullabye Factory in Amsterdam. Recorded in the summer and early fall of 2022. Artwork by Masson. For fans of lofi, hifi, modern psychedelia, rap, pop displacement, audio collage, sound design, comedy, industrial, trip hop, spoken word, classical, pop culture references (TV / internet / movies), rare sneakers, Twilight Zone, Greek statues, and that special realm where musical genres blur together and become unrecognizable. This collection of music/lines is our collaborative reflection of an absurd time in history, where people (especially sensitive, creative types) often feel caught inside a strange perpetual state of cultural, spiritual, technological, and political purgatory. The only way we know how to push through the surrealism of this era is to express ourselves through art and music, talk mad shit on the microphone, and laugh our asses off in a makeshift home recording studio. https://images.squarespace-cdn.com/content/v1/5e9a89bd21310629e0d55466/1633577885200-A3MJYNE34WRNYX725JPE/a2733649356_10.jpg music - collaborations - mazes - peace bridge The fourth and final album by the band Mazes found my friends and I collaborating once again on a couple tracks. I provided background vocals. Gorgeous album, and it’s always a pleasure anytime I can work with these cats I knew from Chicago. https://images.squarespace-cdn.com/content/v1/5e9a89bd21310629e0d55466/1633577237291-OZDYS2WT41B46BOPEUQ8/a2827973073_10.jpg music - collaborations - mazes - things i threw in the well (scott masson mix) This was a fun remix I did of Mazes beautiful song “Things I Threw in the Well”. None of the remixers on this particular compilation were given individual stems. We just had to take the original stereo recording and go to town on making it different. Quite a challenge, but very rewarding and different from a normal remix album. https://images.squarespace-cdn.com/content/v1/5e9a89bd21310629e0d55466/1612575532562-P1M4VXS77LRJNHU3YFGP/ArsenalArt.jpg music - collaborations - arsenal - lotuk A great modern pop band from Belgium known as Arsenal hired me to write the melody and lyrics for their track “Estupendo”. I was also hired to sing it as well. The song’s animated video was featured on Perez Hilton’s website for awhile, as well as Kanye West’s site. It was recently licensed by a bank in Belgium in 2020. There’s some great footage of the band performing the song in front of a lot of people on Youtube as well. The guys in the band had heard my band OFFICE over the intercom at a coffee house while they were on tour in California, and contacted my old manager to set up a collaboration because they thought my voice would work well with their music. It was a really fun project, and the music they sent me felt right immediately. I barely even had to spend a lot of time on it, because it was just one of those magical creative moments in life. They simply sent me a rough instrumental through email, and I wrote a song from the perspective of a person who misses their lover, and will travel any distance around the world to get them back. I figured “love” is a universal theme that everybody can stand behind, especially since I wasn’t familiar with Arsenal’s audience. The music has sort of a house/euro-disco/world music flavor, so I made an attempt to channel Depeche Mode, Bee Gees, Human League, Everything But The Girl, etc….all of whom I adore. I also stuck with the more androgynous part of my singing voice, since it lended itself to a more worldly concept. I recorded the lead vocals and harmonies in my Chicago apartment in 2006, and did some minor structuring of their rough musical composition in order for my vocal melody to sit correctly within the music. Then I sent them my isolated vocal files through the internet for the guys to fly into the production. They fleshed out the recording and turned it into a bonafide “hit” in their country. Good times. https://images.squarespace-cdn.com/content/v1/5e9a89bd21310629e0d55466/1600083461967-6LGCJLBVQZN0P9X4DLIM/a0016564495_10.jpg music - collaborations - the oscillating fan club - oscillations of a beast Psychedelic pop band from Detroit. I worked closely with the band as a “creative consultant”. I played some instruments, edited audio, mixed, co-produced, and sang backups on the album. https://images.squarespace-cdn.com/content/v1/5e9a89bd21310629e0d55466/1600084288351-AIO6NR2BQW4MSNEOV0FR/a0832053952_10.jpg music - collaborations - the juliets - the juliets Baroque/chamber pop band from Detroit. I worked closely with the band as a drummer onstage, and as a “creative consultant” in the studio. I played some instruments, edited audio, mixed, co-produced, and sang backups on the album. https://images.squarespace-cdn.com/content/v1/5e9a89bd21310629e0d55466/1600083916109-2YHF6Y7HZWXVWIG4VU2R/a2852219048_10.jpg music - collaborations - belterra - belterra Electro pop music from Detroit. I worked closely with the artist as a “creative consultant”. I edited audio, mixed, and co-produced the album. https://images.squarespace-cdn.com/content/v1/5e9a89bd21310629e0d55466/1600084617244-ML1L10ON3ZJ0C75B7JT5/a0482478936_10.jpg music - collaborations - pink lightning - blue skies Carnival avant-pop music from Detroit. I did co-production and mixed the tracks they recorded at another studio. https://images.squarespace-cdn.com/content/v1/5e9a89bd21310629e0d55466/1600084929977-QTBCUA00084JEKJF4QMC/a0603792787_10.jpg music - collaborations - kelly - collection of lines Avant-garde rap music from Detroit area. I produced, programmed, played instruments, mixed, edited audio, etc. https://images.squarespace-cdn.com/content/v1/5e9a89bd21310629e0d55466/1600085085916-V5DDJ6SSNUEKWJVSWLIL/a1176085470_10.jpg music - collaborations - poltergyst - aaahhhhh!!!! Avant-garde rap music from Detroit area. I produced, programmed, played instruments, mixed, edited audio, etc. https://images.squarespace-cdn.com/content/v1/5e9a89bd21310629e0d55466/1600085685463-TA6YQ9ZTF9EBX3SG61YI/a2455993648_10.jpg music - collaborations - google yourself (page not found) Written by Scott Masson and Katie Barkel. I produced, edited, sampled, and mixed the song. https://www.scottmasson.com/music/office monthly 0.5 2025-08-17 https://images.squarespace-cdn.com/content/v1/5e9a89bd21310629e0d55466/b95314a7-656e-46a8-ad21-688d7e2569a8/OFFICE_flat.jpg music - OFFICE - office (yellow album) Most of these songs were recorded at home in Milford, MI during the summer of 2000, as part of my SIP (Senior Individualized Project) for Kalamazoo College’s bachelor’s program. The album originally accompanied a painting exhibit I created called Cell, which consisted of 20 portraits of people talking on mobile phones. (This was the first year most people had cell phones. I found them fascinating and revolutionary. Little did I know how deeply these handheld devices would reshape society.) One or two songs were recorded later that fall in Kalamazoo, MI after I returned to school. Track 11 was recorded in a single take (“live”) at Woodshed Studios in January 2001, with Tim Pak engineering. Unfortunately, the original master files for the entire album were lost decades ago, so what you hear here are my original mixes from that same day of mixing at Woodshed. I remastered the entire album through analog equipment in August 2025. All recordings were made using a single Audio-Technica condenser microphone and a Roland VS-880EX portable 8-track. I also used an Ensoniq ASR sampler/sequencer, a Casio keyboard, and a handful of random, haphazard acoustic and electric instruments lying around the house. The album was originally titled "Office", and released under my own name, Scott Masson. This was during the period when I had just started referring to myself as “OFFICE,” before a band ever officially formed under that name. Friends and people at school sometimes called it "The Yellow Office Album" or simply "The Yellow Album". Throughout the rest of the 2001 school year until I graduated, I sold a few hundred CD-R copies of this album out of a briefcase I’d carry around my college campus. All of these songs were inspired by my “study abroad” experience in London, where I attended Goldsmiths, University of London, in 1999–2000. One day while walking around, I stumbled into a fancy shoe boutique called Office. I loved the word so much, I decided to start calling all my art and music by that name. The name sort of stuck around for the next nine years. All songs written, recorded, and performed by Scott Masson. ©2001 Public Treatments (ASCAP). Album not available on streaming platforms. This is a Bandcamp exclusive. Please visit www.scottmasson.com for more information on other releases. Artwork by Scott Masson. All instruments, vocals, and sample manipulation: Scott Masson Additional musicians: Jen Collier, Justin Petertil, and Jeremy Freer. Songs: Traffic Jams (Yellow Version) Cash Money Killionaire Paint the City and Faces With Yellow (Street Version) Squeeze the Distance Bizmox Gas Mask Wireless The Program Toy Piano Cake Heads Message Machine https://images.squarespace-cdn.com/content/v1/5e9a89bd21310629e0d55466/77f22f43-f7c8-4641-a0e4-231665bcf80d/a1194798727_10.jpg music - OFFICE - the iced tea boys and the lemonade girls These recordings are remixed from the original 8-track machines they were recorded on, dumped into ProTools, treated with love, and bounced down to 1/4" tape by Gavin Calzaretta at 460 Sound. Available on streaming platforms. All songs written, performed, and recorded by Scott Masson in Milford, MI and Chicago, IL, 2001-2002. ©2002PublicTreatments (ASCAP). Dedicated to Brad Miner. All instruments and sounds by Scott Masson. Additional musicians: Justin Petertil, Jen Collier, and Jeremy Freer. Art: Katie Brown and Scott Masson Songs: Lover Driver Plus Minus Fairytale Weather Maker Super Fool Fantastic Reaching for a Laser Beam Company Calls Bar Yellow And You’re So The Iced Tea Boys and the Lemonade Girls Until I Find You Mosquito https://images.squarespace-cdn.com/content/v1/5e9a89bd21310629e0d55466/2d99eadf-46de-494f-aef2-aace811a4129/a1456598913_10.jpg music - OFFICE - a bachelor of fine arts (iced tea and lemonade research) The material on this compilation album represents the musical "research" that took place during my transition from college-to-Chicago, and all the preliminary sketches that would make up "Iced Tea Boys and Lemonade Girls" album. Available on streaming platforms. All songs written, performed, and recorded by Scott Masson in Kalamazoo and Milford, MI....as well as Chicago, IL, 2001-2002. ©2002PublicTreatments (ASCAP). All instruments and sounds by Scott Masson. Additional musicians: Justin Petertil (synth), Jen Collier (vocals), John Martin (sax and accordion), and Jamie Harper (sax and flute). Jenny Toner (opera). Office sound sculpture by Brad Miner and Scott Masson in 2002. Art: Katie Brown and Scott Masson Songs: Bar Yellow (Take One) Air Traffic Control Reaching for a Laser Beam (Take One) Weather Maker (Take Two) Paddington Dragon Fire (Blow Tape in Boystown Take) Cruel Radio (Pre-September 11th Bagpipes Take) Makeup Good Cops (Post-September 11th Take) Up a Skyscraper Down a Skyscraper John (Walking Through Boystown) Red and Green Bastards (Apologetic Take) Condensation (Take Three) Wrigleyville Apartment Pulmonary Lounge Dead Man With Dirty Hands (Apologetic Take) Reaching for a Laser Beam (Apologetic Take) Bar Yellow (Film Scene) Weather Maker (Apologetic Take) Office Sound Sculpture (Edit) Aortic Cafe https://images.squarespace-cdn.com/content/v1/5e9a89bd21310629e0d55466/5b0c4133-6ca5-4cdf-9bbf-1669bc5e1c1e/SoManyQuestions_artwork.jpg music - OFFICE - so many questions (Wicker Park cassette recordings) All songs written, performed, and recorded by Scott Masson in 2003, Wicker Park, Chicago, IL. ©2003 Public Treatments. Performed on a Tascam 4-track, while figuring out the next album that would become “Q&A”. Available on streaming platforms as well. Album art photography: Lindsey Fast Musicians: Scott Masson. Songs: The Remedy (Take Two) She’s So Taught (Take Two) Busy With Other Things (Take One) Big Bang Jump (Take One) Twelve Months (Take Three) Polylovanica (Take One) Poor Rich (Take One) Wicker Park Meditation Glass Corvette (Take One) Reality TV Show (Take One) Waiter, Waiter (Take One) Good Cops (Take One) John and Yoko (Song For Petertil) Heartbreak Hotel (Live in Wicker Park) Shuffle Off To Buffalo (Live in Wicker Park) Sunny Side of the Street (Live in Wicker Park) She’s So Taught (Take One) The Remedy (Take One) https://images.squarespace-cdn.com/content/v1/5e9a89bd21310629e0d55466/fccc2cac-ebee-4022-a1a7-804072db5576/GlassDemos_art_small.jpg music - OFFICE - Questionable Answers (Glass Demos) All songs written by Scott Masson, except "Fall Together" (written by Justin Petertil). ©2004 Public Treatments (ASCAP). These are the original mixes of the demos recorded before "Q&A". The master recordings no longer exist, so I was able to salvage these from old files, remaster them, and make them available for the first time ever. Album art photography: Lindsey Fast Songs: The Big Bang Jump (Take Three) Poor Rich (Take Two) Reality TV Show (Take Two) Wound Up (Take Two) Polylovanica (Take Two) Questions and Answers (Take Two) Into Your Network (Take One) Wicker Park Party (Take Two) Busy With Other Things (Take Five) The Remedy (Take Three) Twelve Months (Take Seven) Fall Together (Take One) https://images.squarespace-cdn.com/content/v1/5e9a89bd21310629e0d55466/4de42c8f-a67f-4e48-ad8b-396dbb0ee7ee/SoFewAnswers_small.jpg music - OFFICE - so few answers (Logan Square recordings) These recordings were recorded in Logan Square, Chicago, IL in 2004. These were done while OFFICE was making "Q&A". All songs written, performed, and recorded by Scott Masson ©2004 Public Treatments, except "The National Anthem" (traditional), "Everyday" (Buddy Holly), "Lay Lady Lay" (Bob Dylan), "Liar" (Mannequin Men), "The Lion Sleeps Tonight" (The Tokens), and "For You Are My God" (traditional hymn, recorded for a compilation). These were focused around the idea of breaking the ice while I slaved over “Q&A”. Album art photography: Lindsey Fast Musicians: Scott Masson. Songs: Glass Piece HTML the Moon and the Sun Glass Corvette Good Cops Blue Astronaut But It’s Not the Same Suburban Perfume Water Piece Club Euro Power Downsize Melancholy Drum Machine The Opportunist Demo Carlo Rossi’s Grandiose Arrangements Queen of Ice The National Anthem (Traditional) Everyday (Buddy Holly) Lay Lady Lay (Bob Dylan) Liar (Mannequin Men) The Lion Sleeps Tonight (The Tokens) For You Are My God (Traditional) https://images.squarespace-cdn.com/content/v1/5e9a89bd21310629e0d55466/8676852d-1773-44d4-a40d-8b3337e00b01/Q%26A_artwork_2023.jpg music - OFFICE - Q & A All songs written and produced by Scott Masson, except “If You Don’t Know By Now” (written by Scott Masson, Tom Smith, and Jeremy Freer). ©2005 Public Treatments (ASCAP). Tape transfer by Gavin Calzaretta at 460 Sound. Album art photography: Lindsey Fast Musicians: Scott Masson, Erica Corniel, Tom Smith, and Alissa Noonan. Additional musicians and voices: Jeremy Freer, Thea and Justin Petertil, Matt Kohnhorst, and Jody Weinmann. Songs: Wound Up Oh My The Big Bang Jump If You Don’t Know By Now Busy With Other Things Q&A Until 6pm Not Her Style Ordinary Offices, Extraordinary Proposals Had A Visit Dominoes Possibilities https://images.squarespace-cdn.com/content/v1/5e9a89bd21310629e0d55466/3890db01-508f-47f4-b173-227aac87091f/Ritz_art_web_bandcamp.jpg music - OFFICE - a night at the ritz All songs written and produced by Scott Masson. “If You Don’t Know By Now” written by Scott Masson/Tom Smith/Jeremy Freer. ©2007 Public Treatments (ASCAP). Executive producer: James Iha. Recorded in Chicago, IL and New York, NY between 2005-2007. Originally released on Scratchie / New Line Records in 2007. ©2007PublicTreatments (ASCAP). Remixed from original masters in 2022 by Scott Masson. Mixes hit to 1/4" tape by Christoph Walter at The Lullabye Factory in Amsterdam. Analog mastering by Marian Brezekhiel Brezovan at www.onlinemasteringstudio.eu . Available on Bancamp and all streaming platforms. Artwork: watercolor painting by Kelsey Henderson. Typography by Tom Smith. Songs: Oh My If You Don’t Know By Now The Ritz Company Calls Wound Up The Big Bang Jump Suburban Perfume Plus Minus Fairytale Paralyzed Prince Had A Visit Q & A Dominoes Possibilities https://images.squarespace-cdn.com/content/v1/5e9a89bd21310629e0d55466/1588491964411-IG6CHWXEJFJ7PGBUF9IR/MECCA_cover_small.jpg music - OFFICE - mecca Written and produced by Scott Masson. ©2009 Public Treatments (ASCAP). “Mirror Lake”, “Sleep Of Reason”, and “Molly” written by Tom Smith ©2009 Smithicus Songs (ASCAP). Remastered by Jim Kissling. “Extended” version available on Bandcamp and all streaming platforms now. Songs: Sticky Dew Mirror Lake Nobody Knows You Ridiculous Plans Enter Me, Exit You Sleep Of Reason Dr. Drako Sleepwalking Everything You’ve Witnessed Trainwreck DJs Molly Double-Penetrate The Market Aphrodisiac Missiles The Silent Parade https://images.squarespace-cdn.com/content/v1/5e9a89bd21310629e0d55466/1600081271567-6J3GMKXKIPRZV7H0T61P/OFFICE_BreakfastArt.jpg music - OFFICE - breakfast in a park 2006 Written and produced by Scott Masson. “If You Don’t Know By Now” written by Masson/Smith/Freer. Recorded live in 2006 at Grand Park, IL - Lollapalooza Festival. Available on Bandcamp and all streaming platforms now. Songs: Oh My / If You Don’t Know By Now The Big Bang Jump! Had A Visit Gas Mask Dominoes Poor Rich Q&A https://images.squarespace-cdn.com/content/v1/5e9a89bd21310629e0d55466/1600081735647-XKR6DXB4HL7SQMV4ECNB/Up+And+Down+A+Skyscraper.JPG music - OFFICE - up and down a skyscraper Written and produced by Scott Masson. OFFICE mixtape 2020. Available on all streaming platforms. Available on Bandcamp and all streaming platforms now. Songs: Up A Skyscraper Down A Skyscraper Pulmonary Lounge But It’s Not The Same Small Favors (Featuring Monologic) Waiter, Waiter Makeup Queen Of Ice (The 12th) Paddington Aortic Cafe Condensation John Into Your Network Sound Sculpture Traffic Jams (Original 4-track Demo) https://images.squarespace-cdn.com/content/v1/5e9a89bd21310629e0d55466/1600082087607-D88XUUCOX4ACXZMSH02T/OFFICE_XMUart.jpg music - OFFICE - acoustic satellite (live at XMU, 2007) Recorded live and unplugged at SXSW for XMU satellite radio in 2007. Available on all streaming platforms. Available on Bandcamp and all streaming platforms now. Songs: Wound Up The Big Bang Jump! If You Don’t Know By Now The Ritz Double-Penetrate The Market Suburban Perfume Not Her Style Sleepwalking Oh My Q&A https://www.scottmasson.com/music/scottmasson monthly 0.5 2025-11-24 https://images.squarespace-cdn.com/content/v1/5e9a89bd21310629e0d55466/0fe99ba2-e615-4e20-99c5-6425dc214ae8/MultiMediaRoom_flat_bandcamp.jpg music - scott masson - alignment pieces “Alignment Pieces” is a body of ambient, textural, and rhythm-based compositions that drift between the representational and abstract, audio sculpture/collage, imaginary movie/video game soundtrack, and meditative experience that occurs throughout various environments. Each piece functions as a small act of cosmic orientation, and as a simple sonic attempt to locate some balance and substance within the dissonance of modern life. Conceived in moments of quiet reflection while teaching at a high school, as well as on my long walks throughout Ferndale, MI, “Alignment Pieces” explores how sound, memory, and perception align and fall apart. The works chaotically shift and blur between my recent exploration of field recordings, orchestral oscillations, synthetic and organic color variations, patient drones, extreme subwoofer palpitations, and subtle electro-acoustic rhythmic gestures. The idea was to elicit the sensation of walking, breathing, remembering, grieving, while also allowing the universe to send a signal I could subconsciously create from…even when I was miles away from an instrument or recording studio. My friends and family normally know me as a songwriter, but this body of work was an attempt to do the opposite with my musical process. No lyrics. No vocals delivering a relentless barrage of concrete imagery or concepts through “catchy” verses or choruses. I wanted very little melody happening on any level, in fact. These compositions are meant to convey a different realm of experience and expression while I currently slave over a more conventional double album of pop music slated for a 2026 release. These “Alignment Pieces” appear as fragmented film scenes, sketches, or brief wordless instructions for the listener to feel “present” or “adrift” in a moment. Collectively, all 17 compositions form a meditative archive of my own spiritual process and psychological journey during a very surreal period in history. In spirit, “Alignment Pieces” draws from the experimental lineage of artists like Yoko Ono, John Cage, Haruomi Hosono, C418, and Brian Eno, while remaining rooted in the intimacy of my daily life, dreams, and varied influences. This can include the hum of electricity, the rhythm of footsteps, and that fragile harmonic collision between nature and the artificial. These works tend to invite stillness and short bursts of anxiety, and will surely test the listener’s endurance and attention span. Each piece is a reminder that alignment is temporary and complex, but crucial in any act of self-discovery or mindfulness. released November 24, 2025 Artwork: "Multimedia Room" by Scott Masson. All compositions ©2025 Public Treatments (ASCAP). Recorded in Ferndale, MI in 2025. Written and recorded by Scott Masson. Available on all streaming platforms throughout the week of November 24, 2025. Compositions: Index of Gentle Collisions The Most Forgetful Language Alternating Currents Celestial Residue on the Window Pane Sigh Loop My Heart Is in Japan Planet Grief Moon Studies Skates Forever Frames Doomscrolling at the Pharmacy I Think You Were a Time Traveler Mirage Chaser Pushing a Whale Back Out to Sea The Disassembled Man The Reassembled Man Farewell Marigold https://images.squarespace-cdn.com/content/v1/5e9a89bd21310629e0d55466/708bbff5-6d45-42e5-a85a-e46d971a225a/a2127132228_10.jpg music - scott masson - conversations Written and recorded by Scott Masson. ©2025 Public Treatments (ASCAP). Written, arranged, and recorded by Scott Masson in Ferndale, MI. All music ©2025 PublicTreatments (ASCAP). Available on all streaming platforms October, 2025. https://images.squarespace-cdn.com/content/v1/5e9a89bd21310629e0d55466/5beadd2a-3422-4029-934c-8ec7e49cdb9f/a3480256634_10.jpg music - scott masson - we’re not the same (out in the garden) Released April 30, 2025 We're Not the Same - orchestrated version and live acoustic version. Out in the Garden (Untitled Poetry) - In late 2023 / early 2024, I scored the musical soundtrack to a short 3-minute documentary by Katie Barkel. The film features local Detroit poet, James Fuson. This piece was used in that film. Kresge Arts in Detroit partnered with the Detroit Free Press for the world premiere of the annual “Spotlight Detroit” film series featuring the latest cohort of fellows. Thirteen Detroit filmmakers collaborated with the 2023 Kresge Artist Fellows in Literary and Visual Arts to create 19 dynamic short films exploring the artists’ creative practices, expressions, and journeys as artists and humans. Garden Collage (Untitled Poetry II) - Sound collage created for the Kresge film mentioned above, but not used in the final cut. Written, arranged, and recorded by Scott Masson in Ferndale, MI. All music ©2025 PublicTreatments (ASCAP). Available on all streaming platforms first week of May, 2025. https://images.squarespace-cdn.com/content/v1/5e9a89bd21310629e0d55466/44eecf8e-5bcc-4c09-8731-2dae7019cb10/a0434983194_10.jpg music - scott masson - it follows me Released October 31, 2024 By Scott Masson. Autumn, 2024. ©2024PublicTreatments (ASCAP). Here’s a haunted song for your Halloween playlist / late-autumn musical consideration. This piece of music is based on a true story of an actual poltergeist that took place in Jackson, MI back in the ‘80s. It was my attempt to pay tribute to the old seasonal novelty songs of yesteryear like “Monster Mash”, “The Munster’s Theme”, “Adams Family”, “Thriller”, “Purpler People Eater”, etc….but to create a much more bizarre and experimental approach for a contemporary-type of song. I even ran my voice through AI to displace my own vocal performance and bring it into a more possessed and freakish realm. The first section is a short exercise in spooky sound design, using field recordings and found audio from the internet. The second part of the song is the actual musical poem, telling the story of this particular Jackson, MI poltergeist. The coda section was inspired by spooky '80s films from my childhood. Hope you enjoy it, and I hope it totally weirds you out. https://images.squarespace-cdn.com/content/v1/5e9a89bd21310629e0d55466/b3197e6c-61dd-4158-938f-fe69980b08b1/a0324733700_10.jpg music - scott masson - among us ©2024 Public Treatments (ASCAP). This two-piece composition was mostly “live” and improvised in my studio over the course of a day in March, 2024. It was inspired by my high school students that I teach, and the sci-fi online video game they all play together in class. Songs: Crewmates Scatter Throughout the Ship To Complete Each Task Imposters Drop Into the Ventilation Ducts While Shapeshifting Into Eternity https://images.squarespace-cdn.com/content/v1/5e9a89bd21310629e0d55466/4aceed98-079f-4f36-9b7a-7f7191d6d17c/CandyCobwebs_artwork.jpg music - scott masson - candy cobwebs ©2023 Public Treatments (ASCAP). Written and recorded by Scott Masson during the week of Oct 29th, 2023. Mixed and mastered very quickly in one day. All instruments by Scott. Ambient sounds courtesy of Mr. Jensen's music students. This is supposed to be music that you'd put on during the Halloween period. Love, Scott Songs: Zombie Swamp Never-Ending Pumpkin Patches The Black Cauldron https://images.squarespace-cdn.com/content/v1/5e9a89bd21310629e0d55466/3705aeab-6893-417e-9210-7664ed48017d/a0737577612_10.jpg music - scott masson - pink oil Written, arranged, performed, produced, mixed, and mastered (analog outboard gear, and digital tools) by Scott Masson. Additional mixing and production input from Chris Koltay in 2014. Album transferred to tape by 460 Sound Studio in Georgia. Bonus tracks put to tape by Scott at home. ©2014 Public Treatments. Recorded in Ferndale, MI between 2011-2014. Some acoustic demos recorded in Milford, MI. Album art: "Pink Self-Portrait" by Scott Masson (updated from original non-finished 2014 art). All instruments played by Scott Masson. Additional musicians: Kip Donlon - backing vocals on "Mr. Sketch". Laura Finlay - backing vocals on "Pink Oil". Alice Masson - spoken word on "The Only Witness". Available on Bandcamp and all streaming platforms now. Songs: Pink Oil Sweet Chrissy Saint Fina Olga’s Salon The Only Witness Blue Valley Fog I Can Tell Grimsby’s Silver Circus Mr. Sketch Derelict Debonair The Coda Begins Making The Rounds https://images.squarespace-cdn.com/content/v1/5e9a89bd21310629e0d55466/bfd53ab5-9a7c-4010-b6bf-747170d48c40/BlueOilArtwork_2023_spotify.jpg music - scott masson - blue oil Written, arranged, performed, produced, mixed, and mastered (analog outboard gear, and digital tools) by Scott Masson. Track 6, 7, and 13 co-written with Rachel Kayuk. Recorded in Ferndale, MI between 2011-2014 while working on the pop album “Pink Oil”. Album art: "Blue Self-Portrait" by Scott Masson. All instruments played by Scott Masson. Guests: Rachel Kayuk: (vocals, flute, guitar, percussions, machines) - Track 6, 7, and 13. Ray Thompson: tenor sax, bari sax - track 5 Sissy dog: barking on track 13. Inspiration. Lucky: vocals/ spoken word on track 12. Compositions: Unchill Sunday The Neighbors Are Knockin’ Samuel Cocoon Let’s Go Out Let’s Make One for the Skymall Sweet Chrissy of the Skymall The Piano Is Flooded (Take One) The Auto Industry Adobe Creative Sweet Gramophone (Take One) Lucky Conversation Cute Sissy Dog of the Skymall The Meat Industry Derelict Debonair (Take One) Nobody Told Me (John Lennon) https://images.squarespace-cdn.com/content/v1/5e9a89bd21310629e0d55466/26e182b6-873c-431f-bffb-ad5b8e2e7363/YellowOil_artwork_spotify.jpg music - scott masson - yellow oil Written, arranged, performed, produced, mixed, and mastered (analog outboard gear, and digital tools) by Scott Masson. ©2013 Public Treatments. Random compositions I was commissioned to create for car commercials, various film projects, or music that was turned down by the ad agency world. All compositions written and recorded by Scott Masson, except for "Hail to the Victors" (traditional), and "Carol of the Bells" (traditional). Recorded in Ferndale, MI between 2011-2014 while working on the pop album “Pink Oil”. Album art: "Yellow Self-Portrait" by Scott Masson. All instruments played by Scott Masson. Compositions: Jack Trance Morning Coffee Milford Road Baby Blue Cadillac Julian Trance Smooth Ride (Screwed and Chopped) Desert Trance Surfing With the Tigers A Really Nice Car (Silver Cadillac) Noodle King (aka…”Slurp Song”…featuring Blaksmith) Country Drive Hail to the Victors (University of Michigan Fight Song) Carol of the Bells https://images.squarespace-cdn.com/content/v1/5e9a89bd21310629e0d55466/3025274f-8f08-461a-af25-a53e64703cb6/GrayOilArtwork_2023.jpg music - scott masson - gray oil Written, arranged, performed, produced, mixed, and mastered (analog outboard gear, and digital tools) by Scott Masson. All compositions performed on iPad by Scott Masson. ©2012 Public Treatments (ASCAP). Honestly, I made this weird material late at night while I was taking breaks from writing lyrics to my real songs. I thought it’d be interesting music one could play in the background while they’re handing out candy on Halloween, or setting up scary decorations in the autumn. Some of it sounds pretty “haunted”. Recorded in Ferndale, MI between 2011-2014 while working on the pop album “Pink Oil”. Album art: "Gray Self-Portrait" by Scott Masson. All sounds by Scott Masson. Guest vocals on “Google Yourself”: Katie Barkel. Compositions: Whisper Through the Tweeter Before You Blow the Woofer Blackbird Murmuration Google Yourself (Page Not Found) Fuel Cells Cabin in the Woods Apple Choir I Don’t Know Where I Am https://images.squarespace-cdn.com/content/v1/5e9a89bd21310629e0d55466/1605042752009-IT5SIWY1IFCLN6W5HTA0/MomentarilyArtwork_revised_final_large.jpg music - scott masson - momentarily bewitched Written and produced by Scott Masson. Mixed by Chris Koltay and Scott Masson. Hit to 2” and 1/4” tape by Chris Koltay. Mastered by Jim Kissling. ©2020 Public Treatments (ASCAP). Available on Bandcamp and all streaming platforms now. Artwork and photography (Iceland) by Scott. Songs: The Walk Man Alone Together Visitations From Brad Miner In B Minor Sherman Case Discusses the Importance of Nature (Interlude) Auto-Eye Echo In The Haze Vape City Macro-Dose No. 40 Green Wayward Eyes New Flesh And Blood Everyone Spoke Harper’s Bizarre (Instrumental) Momentarily Bewitched Black Sand Beaches Mood https://images.squarespace-cdn.com/content/v1/5e9a89bd21310629e0d55466/482cf32b-4f02-43ae-92d7-517bd5de10fd/PortastudioArt_smaller.jpg music - scott masson - portastudio hissy fit ©1994 Public Treatments (ASCAP). Early cassette recordings of songs and compositions recorded in the realm of 1994, when Scott first started using a dual tape deck, Casio MT-540, Boss RV3 reverb/delay pedal, SM58, and a Tascam Porta 03 studio recorder. All tracks recorded in Scott’s bedroom and basement in Milford, MI. Scott was still learning how to play instruments at this time, as well as searching for a so-called “voice”. There is some charm found within these early sketches, despite the results being so incredibly raw. “First Melody”, which was done in 1992 or ‘93 at Milford Music during a guitar lesson, represents Scott’s first melody ever written. His guitar teacher, Tim Twiss, had assigned him a homework lesson that week: “write a melody over an original chord progression”, and this recording was the result. Scott’s life-long journey into songwriting and composition began with this composition, which is why it’s being included in this compilation. All instruments, voices, and sounds made by Scott Masson. Photograph taken at Hamtramck House in Detroit, MI 1995. Songs: First Melody Casio Waltz Radio Shack Rain Dance Who Knows Beauty Bongos Yischmadi Problem Pumpkin Disaster Casio Brass Ends Frusciante Blues Chubby Makes the Heart Go Farther Ants on a Log No Streets Homecoming Blues Have A Nice Day Haunted Tree Rock Me Slower So High Silver Mud Resemble Hissy Fit Direction Vegetarian Samba https://images.squarespace-cdn.com/content/v1/5e9a89bd21310629e0d55466/db5d08a2-f995-4474-bfa9-22b70146ee0f/FreestyleFresco_large.jpg music - scott masson - freestyle fresco Although these are not my earliest recordings, “Freestyle Fresco” represents my first attempts at “songwriting” and audio collage. It’s also the first time in my life I was able to construct a large body of original material that shared common lyrical themes, musical styles, instrumental colors, and production choices. The naiveté and rawness on this album was not an aesthetic “choice”; it was natural. I was 16 years old, and I didn’t fully understand “craft”, revision, polishing, or editing. I’d just set up my two mics, quickly write a song in my head, twist the knobs on my Boss RV3, and “improvise” the instrumental parts while the cassette tape was rolling. The same went for my lyrics and vocals. Since I had never really written proper songs before this point, all of my words, vocal melodies, and images would just present themselves on the spot…in sort of a “freestyle” fashion. The music would always dictate how my vocals were performed. I can compare the entire process to painting a mural on wet plaster…like creating a traditional “fresco”. No time to think, second-guess oneself, or over-analyze logistics. Just work extremely fast, don’t make too many decisions, keep the mistakes in, and commit to the first idea that pops in your head. This is truly music from the sub-conscious. - Scott released September 19, 1996 All songs written and recorded by Scott Masson. Recorded on a Tascam 4-track in a basement and bedroom, Milford, MI. ©1996 Public Treatments (ASCAP). Tracks 1, 4, 5, 6, 7, 8, 12, and 15 are the original cassette mixes done in 1996 (the original master tapes were lost, taped-over, or damaged). Tracks 2, 3, 9, 10, 11, 13, 14, and 16 were mixed in 2023. All instruments, vocals, and sounds by Scott Masson. Songs: Honest Gentleman Let It Be My Epitaph Iron Ring RV3 Reflux Captain Jizz Daggers by the Dozen Coins The Smell of Money Erector Set Distorted Dinosaur Scarf and Barf Basement Classical Mouth Winter Head Tall Stranger King of Burlington https://images.squarespace-cdn.com/content/v1/5e9a89bd21310629e0d55466/81ce5509-113d-4814-9f93-41f768f25c0b/Atlantic_bandcamp.jpg music - scott masson - atlantic This is one-of-two albums I made in 1996-1997. Recorded (mostly) on cassette 4-track in 1996-1997 with two microphones. Track 1 and 11 were recorded at Woodshed Studios, with Tim Pak engineering. The masters for Track 1 and 11 are long gone, so those two songs are the original mixes that were salvaged from a DAT tape backup I made during that session. Everything else was recorded in my basement and bedroom at 721 Atlantic in Milford, MI....and remixed in 2023. Despite how haphazard a lot of these recordings were originally done when I was 17 and 18 years old, I hope you will find them as entertaining and charming as I do. All songs written, produced, mixed, and mastered by Scott Masson. Artwork by Scott Masson. Photo taken on the beach with Chris Masson in 1997. St. Croix, Virgin Islands. ©1997 Public Treatments (ASCAP). Available on all streaming platforms, week of Feb. 24, 2023. Songs: Ice Storm Fair Ellen Gala Infant Specialty Ruled By Numbers Paint By Numbers Come To Me Insomnia (I Walk Tonight) Summer Head Get You Out (It’s Mine) Silent Miss Monochrome Broken Valentine Waltz Lanugo https://images.squarespace-cdn.com/content/v1/5e9a89bd21310629e0d55466/b9eb146e-440d-40f3-8753-9c3619d684f5/OutInTheCornfield_artwork_bandcamp.jpg music - scott masson - out in the cornfield This album was never released when I made it, but I’m glad to get it out in late 2022. All songs were written and produced by me in 1997-1998. I was around 19 years old. I still might put all of this music into some type of compilation/physical release, or small vinyl increments at some point with a label. The songs on this album were created during my first year and a half in college, when I was first taking art classes. It was also the year I started taking my musical compositions into a slightly more sophisticated realm than what I had been doing in high school. I started exploring this material at the College of Wooster, which is in a small town surrounded by miles and miles of cornfields. The process continued throughout the summer and into the fall of ‘98, when I finally transferred to Kalamazoo College. Recorded on Tascam cassette 4-track in Milford and Kalamazoo, MI. All tracks were remixed in 2022 from the original 4-track analog tapes. Some of these tapes were literally falling apart when I dumped them into the computer. All those strange effects were printed onto tape when I originally recorded them, for better or worse. You’ll be able to hear some serious tape degradation on some of these songs, but that is part of the history and charm of this batch of recordings. To this day, I only record when I’m inspired. Back in 1998, I wouldn’t fuss with how well things were documented onto tape. I’d just point my handful of inexpensive mics in the direction of the sounds, explore different spacial techniques in the bedroom or basement, or sometimes plug an instrument directly into the tape machine. Sometimes I’d “red-line” signals because I wanted it to sound gnarlier. If I didn’t have enough money for new tapes, I’d just tape over a cassette I had lying around that I wasn’t listening to. Sometimes I’d even use one of my mom’s old aerobic dancing instruction tapes from the 80s. I was just going for a “feel” in my headphones, seeing as I didn’t have many skills, money, or equipment. These are the highest-quality versions of these songs that have ever been put together into a reasonable mix, so hopefully the “lofi” nature isn’t too off-putting. I’d rather have this music out there in the world, than having it rot in my basement. Some of this music is very haunted, but I was sort of haunted when I made it. After dropping out of Wooster, I was slicing meat at a deli in Milford, taking classes at OCC while I waited to transfer to Kalamazoo. This was my first foray into some serious clinical depression and anxiety issues, so some of the music obviously reflects that. All songs mastered through the Overstayer MAS by Scott Masson. All instruments and sounds by Scott Masson, accept vocals on Track 4 by Jen Collier. All song written by Scott Masson (1998 Public Treatments), except for “Kalamazoo Collage” (written by Scott Masson, with Jen Collier’s vocal melody and lyrics). Artwork by Scott Masson. The drawing was done in Wooster, OH in 1998 during my freshman year of college. It was done during a live “figure drawing” session. The quick, dirty, impressionistic nature of the drawing best represents how the music was made….fast, gnarly, and inspired. All songs ©1998 Public Treatments (ASCAP). Available on all streaming platforms, week of December 21st, 2022. Songs: Broken Valentine Kissing the Scarecrow Dragon Fire Kalamazoo Collage Funhouse Mirrors Fireflies Classroom Poetry Torrential Pour Driving Backwards Down Westnedge I in My Liquid Eye My Lavish Ship Torrential Pour (Reprise) Cordially Crimson Queen https://images.squarespace-cdn.com/content/v1/5e9a89bd21310629e0d55466/7236c9b6-5f52-4a15-be3b-f5df144a2571/NewCrossSunrise_artwork_bandcamp.jpg music - scott masson - new cross sunrise This album was never released until 2022. All songs written and produced by Scott Masson in 1998-1999. Recorded on Tascam cassette 4-track. Tracks 4, 6, and 12 were recorded at Woodshed Studios with Tim Pak engineering, but never finished. Those three Woodshed masters are long gone, but these versions were the best-quality mixes I had in my archives. All other tracks were remixed in 2022 by Scott Masson from the original 4-track analog tapes. All songs mastered through the Overstayer MAS by Scott Masson. All instruments and sounds by Scott Masson, except flute on Track 11 by Jamison Harper, and handclaps on Track 4 by Isaac Perry and Jeremy Freer. Artwork by Scott Masson. Image taken at Woodshed Studios by Tim Pak in 1999. All songs ©1999 Public Treatments (ASCAP). Available on all streaming platforms, week of November 23, 2022. Songs: New Cross Sunrise Circus Study Abroad Paint the City and Faces with Yellow (Rough Mix Alley Version) Dead Man with Dirty Hands Twelve Months (Rough Mix Alley Version) In the Back of Stetson Red and Green Bastards Century Ballad Angela of the Angels Kalamazoo Gel Tabs Singh Zu (Rough Mix Alley Version) Traffic Jams https://images.squarespace-cdn.com/content/v1/5e9a89bd21310629e0d55466/1611597724721-LOZ343U7ARRGWA5FHRMK/ghost+mall music - scott masson - ghost mall Written and produced by Scott Masson. Mixed, hit to cassette, and mastered by Scott. Just a bizarre “memory tech” instrumental using only Boss DR-55 drum machine sounds, Arp Oddyssey sounds, and a microphone. ©2021 Public Treatments (ASCAP). Available on Bandcamp and all streaming platforms now. https://images.squarespace-cdn.com/content/v1/5e9a89bd21310629e0d55466/1600085233011-SGDNYD185OHDGBVB266T/a4226650248_10.jpg music - scott masson - the meat industry - audio collage Written and produced by Scott Masson. An audio collage using instruments, machines, samples of slaughter houses, chainsaws, factories, and animal noises.